It’s a stunning and sensuous sounding track that more than hints at what was to come from one of the great female soul singers of her generation. Lovers Always Forgive was written by Van McCoy and released by Gladys Knight and The Pips in 1964. She recorded for the New Orleans-based Sansu label and this track was one of her finest recordings. It was released on Goldwax in 1969, and is an outpouring of emotion, hurt, sorrow and soulfulness from a musical master craftsman who had the ability to bring a song to life.Ĭan’t Last Much Longer is a reminder of a vasty underrated soul singers Betty Harris. James Carr was one of the greatest soul singers ever, and These Ain’t Raindrops shows just why. She lays bare her soul for all to see on a single released on Mercury in 1968. It features an emotive, hurt-filed vocal as Barbara Lynn lives the lyrics and makes the pain seem very real.Įd Townsend wrote and produced Foolish Fool for Dee Dee Warwick. (Until Then) I’ll Suffer featured on the album Here Is Barbara Lynn which was released by Atlantic in 1968. This was just the start of the rise and rise of The Emotions. It was released by Twin Stacks in 1968, and features a hurt-filled vocal from the Chicago-based trio. One of the tracks Dave Godin always wanted to feature on one of his compilations was Somebody New by The Emotions. It’s a reminder if any was needed of how good a group the Dallas-based Masqueraders were. Soul-baring and impassioned describes I Ain’t Got To Love Nobody Else by The Masqueraders, which was released on Bell in 1968. It’s a soul-baring reading and it sounds as if Esther Phillips had lived the lyrics as as she reinvents Gil Scott-Heron’s classic.
She was accompanied by some top session players and an orchestrated arrangement on a single for the Kudu label which was released in 1972. This includes Where’s The Party, which was released on Compass in 1969, and showcases a singer with the ability to breath meaning and emotion into lyrics with a vocal that is almost needy.ĭespite enjoying a lengthy career, Home Is Where The Hatred Is has to be one of Esther Phillips’ finest recordings. Helena Ferguson only ever released two singles during her career. This is a heart-wrenching cut that epitomises everything that is good about deep soul. It was penned by William Guest and Gladys Knight, who recorded the song in 1965. Opening Dave Godin’s Deep Soul Treasures Volume 5 is Who Knows by The Soul City, which was released by Goodtime in 1966. This is Dave Godin’s Deep Soul Treasures Volume 5, which has just been released by Kent Soul, an imprint of Ace Records.
#Deep soul treasures rar download series#
These tracks and some from David Godin’s lists became the first instalment in the series for fifteen years. However, this didn’t happen as Kent Soul didn’t want to be accused of cashing in on Dave Godin’s name.Īs the years passed, the label managed to secure the rights to various tracks that Dave Godin believed were among the most important in the deep soul genre. It would’ve been easy enough to compile further compilations. That was despite having lists of tracks that David Godin felt were worthy of including on the original volumes. For many critics it was the finest instalment in the series.Īs a mark of respect, Kent Soul didn’t release any further instalments in this much-loved series. Sadly, Dave Godin’s Deep Soul Treasures Volume 4 was released just a few months before his death fifteen years ago. He also compiled and lent his name to a quartet of lovingly curated compilations of deep soul for Kent Soul.
However, Dave Godin who coined them term deep soul, didn’t just write about music.
His passion was obvious in his columns for Blues and Soul, and then later, in the much-missed Soulful Kinda Music magazine. He was passionate about soul music and wanted to convert agnostics and make believers of them.
It’s hard to believe that it’s fifteen years since the passing of Dave Godin, one of the most influential and informative writers on soul music. DAVE GODIN’S DEEP SOUL TREASURES VOLUME 5.ĭave Godin’s Deep Soul Treasures Volume 5.
0 kommentar(er)
